Walking though this stand of pines, located on the pond’s west side, is like being in a cathedral. Very late winter, before the crowds, is a wonderful time to appreciate its quiet majesty.
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Images of New England
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Walking though this stand of pines, located on the pond’s west side, is like being in a cathedral. Very late winter, before the crowds, is a wonderful time to appreciate its quiet majesty.
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This little garage in the middle of nowhere seems most photogenic in the early evening of late winter. I took about 10-12 shots, from different angles/distances, and printed up a few of them for the owners. This one seemed to be their favorite.
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Initially, this meditation on time and change did not hold much appeal for me, as it just felt too … messy. A number of friends, though, loved it at first sight, and that brought me back around.
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Late winter, out in the middle of a mountain pond, temperature hovering at freezing but no wind, dressed warmly, hanging out with friends – the allure of ice fishing.
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At this time of the year, glimpses of spring: the quality and strength of the light, disappearing snow on south facing slopes, perhaps a greater degree of leisure in the farm animals. Curious in this image that the sugar shack is not fired up.
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I may have to ask the farmer who owns this land, Bub Hubner, if he ever considered painting a high water mark on the side of the barn. It would be a new measure, I suppose, indicative of both the snow accumulation and the speed of the snowplow.
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Amy and her husband bought a house in Wardsboro in 1963; three of the kitchen doors, it turns out, were decorated by Feodor Rojankovsky sometime in the 1930’s. She tells the story in the May/June, 2008 issue of Vermont magazine.
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Over 70 years ago, the famous artist and illustrator of children’s books decorated the kitchen doors of a Wardsboro home where he was often a guest. See above post.
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